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Name of the work: The Rivals

Medium: Video
Duration: 2:22

The Rivals takes a nonhuman approach to the idea of political subjectification. The protagonists in my work are birds, more precisely birds that are performing in youtube videos. At the moment as the spring is full on, there are lot of rivals in the trees trying to take over their territory. And that is the political scene where I brought the rivals from internet.

I wanted to play with the idea of talking heads (subjects communicating pregiven agencies) which are especially seen in televisions and in the human society and draw an analogy to the world of birds. My question could be presented as: Are birds really just ÔÇťspeechless talking headsÔÇŁ, voices communicating pleasure and pain like Aristotle would have put it. In this context it is also interesting to think how these birds are unaware of being in the internet and being without any privacy policy or copyrights whatsoever.

Name of the work: For the time being, emergency exit only.

Installation:
Wooden door painted with fluorocent orange, metallic peep-hole, 3D-mouse
handle, UV-light, door phone, 360-video.

Launched in 1889 Kinetoscope was the first commercial motion picture exhibition
device. It was designed for films to be viewed through a peephole
by one individual at a time, creating the illusion of movement by
conveying a strip of perforated film bearing sequential images over a
light source with a high-speed shutter. Soon Kinetoscope was joined with
a cylinder phonograph called kinetophone to produce sound. These devices
together created unprecedented astonishment and confusion of time and
space in the public.

Modern digital reconstruction has constantly transgressed the boundaries
of time and space for the benefit and entertainment of our species. In
the science fiction movie The Matrix(1999) humanity is unknowingly trapped
inside a simulated reality created by intelligent machines. In spite
of all dystopian imagery, our contemporary simulations are desired and
ever more realistic.

In my work For the time being, emergency exit only the simulation has
been suspended in the state of limbo faute de mieux.
The viewer can explore the view seen through the peephole with a special
door handle (3D-mouse) encircled with blue light and simultaneously listen
to the soundscape from the door phone.

For the time being, emergency exit only was exhibited in January 2020 in
Expanded Cinema -exhibition, Exhibition Laboratory, Helsinki, Finland.


Name of the work: Concertto for Film and Orchestra
Duration: 1 hour

Concertto for Film and Orchestra was a collaboration between the students of
Academy of Fine Arts and Sibelius Academy. It was actualized and performed together
with Lappeenranta city orchestra. The musical texture and form of the
piece has been inspired by the process of film developing. As the images on
the film come into existence during the performance so does the audible images
created by the instruments come to live.


Composition:
Jaime Belmonte
Tuomas Kettunen

Video and Performance:
Appu Jasu
Lasse Vairio
Paola Guzman Figueroa
Verneri Salonen

Critique in Etel├Ą-Saimaa -news paper:

https://esaimaa.fi/mielipide/kolumnit/63db5663-c4e0-4cd4-baa0-794e29998c20

Annual BFA graduatesÔÇÖ degree exhibition at the
Academy of Fine Arts of Uniarts Helsinki.

Installation:
Bird feeder with video, Rusty partial bike frame, birds nest under
bicycle seat, binoculars, taxidermy bird

AR-Mosquito performance
Medium: Iphone 6, Video, Tape, Powerbank
Duration: 3 hours

Introduction:

I wanted to embark on a bike ride to Berlin, and I needed to make
some preparations for it. I checked some tips online and bought Osmo
SoininvaaraÔÇÖs book ÔÇťCycling to NiceÔÇŁ. Then I bought a tent, padded
bicycle shorts, a rubber basin plug etc. One evening I went out for
a walk in a forest and found a bike frame that seemed adequate for my
needs. In early June, I jumped into the saddle.

I spent my days looking for food and shelter. There were so many banal
sights that I saw. A bird built a nest underneath the saddle, I
lost my credit card in Lithuania, and I could not find my way around
in Kaliningrad because I could not read the Cyrillic alphabet. The
bird eventually left its nest without laying a single egg. When I arrived
in Berlin, I took photographs of trees that had been numbered.
I was told that there were altogether 440,000 trees and that each
tree had an individual fostering plan.

The exhibition consists of three installations, which are accompanied
by an interactive fundraising for the Taiteen Mets├Ą (ÔÇśForest for
ArtÔÇÖ) campaign organised by the Finnish National Heritage Foundation.
The opening of the exhibition featured an evening-long performance
called AR-Mosquito.

Works were exhibited 20.09.-13.10.2019 in the Exhibition Laboratory,
Merimiehenkatu 36 C, 00150, Helsinki.

Total of 244 names was written on the walls next to the piece for
guessing the species of bird that was hiding in the gallery! That
means that the whole 200ÔéČ material grant was donated to Finnish National
Heritage Foundation (https://www.luonnonperintosaatio.fi/fi/taiteen-
metsa).

Name of the work: Post-Fossil Data?

Installation:
Computer screen, two hard-drives, jerry-can speaker, hidden computer,
hidden piezo mics, hidden amplifier, hidden mixer, Automated
filetransfer between hard drives

Introduction:
The technological stethoscope is listening to the communication
between two external hard drives. The computer acts as a director
between them, and the jerry can speaker is the narrator.
This system is fully automated: it turns itself on and off during
the gallery opening hours and hibernates in cycles for the sake of
energy consumption. The process loops different file types and file
sizes between the hard drives, making the audible performance varied in time.

Beneath the coulisses of designed cases, one can find informative
labels which are not informative at all for the common user. What
does it mean to be blind to the information given and to the fossil
capitalism that made it all possible in the first place?
The work itself is a part of the issue that it represents but tries
to be self-aware by presenting its total energy consumption via
energy meter connected to the circuit. The data is playing, and
here we are listening the materiality of digitality.

The work was presented in the Suoja/Shelter Festival in June
7-9.2019 at the Space of Free Arts / Vapaan Taiteen Tila
Vilhovuorenkuja 15
00500 Helsinki
Festival website:
http://suojashelter.tilda.ws/
Press release:
http://suoja.shelter.pr-eng.tilda.ws/english

The work has also been part of Sound Art & Sonic Arts: Hidden Materialities
22.3ÔÇô14.4.2019
Exhibition Laboratory
Merimiehenkatu 36 C, 00150, Helsinki

https://www.hs.fi/kulttuuri/art-2000006052326.html?fbclid=IwAR3rBsOlTytrrdRBKD8D9S22CvL2V05lgsmVBahpf_Bq6inmf_oGNonv-O8


Photographed interventions

Installations in the photographs are build out of site specific materials
and returned after the act of documentation to their original state by
decomposition, wind or by myself. Creating these intuitive and experimental
happenings were try outs for conscious being with that particular
space & time.

Works were exhibited in a group exhibition called The Latency of the
Images in January 2019 in the Exhibition Laboratory, Helsinki.
Installation:
Inkjet prints on aluminium, Inkjet print on plywood, dead branches


With the Ants

I set my phone apart from myself, start filming and stay in the frame idling as long as my phone battery lasts. I have also done some photography series and other videos with same principle or ”rules” to search and to give attention to the limited resources when using technology.

Name of the work: Yucca Elephantipes Artifici─ülis

Introduction:
I ordered an artificial Yucca palm tree from China, assembled it and
planted it in the motorway interchange in Nokia, Finland.

Medium: Video
Duration: 7:12
Exhibited:
2018 KAIPUU Festival; Sattuma-klubi, Helsinki, Finland
2018, Filmiversumi, Savoy-teatteri, Helsinki, Finland

http:// https://www.sttinfo.fi/tiedote/uusissa-opiskelijaelokuvissa-tutkitaan-ihmisen-vastuuta-teoistaan?publisherId=60579873&releaseId=68428373

Name of the work: Totem

Medium: Video
Duration: 22:02 min
Exhibited: 2020 Feel Helsinki festival, Helsingin Musiikkitalo, Finland

I built a totem from blocks of birch. I repeated the performance three times. Each time I got further.

Name of the work: The Void

Medium: Video
Duration: 4:37

Uncapitals residence project, Norway, 2018

Premiere 2018, Sigrids Gallery, Kj├Şllefjord, Norway
http://uncapitals.com
https://youtu.be/pwHDM1LSfyA

Video production:
Anton Riabinin, Verneri Salonen
Performers:
Sasha Kozin, Camilia Schnack Tellefsen, Maria Lothe, Ksenia Shchetneva
Sound & 3d:
Dmitrii Antropov

INSIDE/OUTSIDE THE BOX.

A film project from the exhibition Numur – Islam ja min├Ą.

Numur ÔÇô Islam ja min├Ą -Exhibition was shown in Stoa gallery in Helsinki 1.11.ÔÇĺ17.11.2017 and in Migration Institute of Finland in Turku 26.2.ÔÇĺ18.3.2018.

https://koneensaatio.fi/mika-voimaann… https://www.facebook.com/islamjamina/

Production team:
May Ahmed, Verneri Salonen, Helena Oikarinen-Jabai
Cinematography and sound:
Verneri Salonen


Name of the work: Riippumaton ajattelija

Medium: Video
Trailer/teaser duration: 11:25 min

My ongoing film project Riippumaton ajattelija situates its tangible world in the liminal space of fact and fiction. It is exploring the wild, the unknown and the eccentric being who feels himself as the other of the society. Untamed/Wild/the Other is vital condition of human existence and our societies. This other does not reveal itself automatically, but it must be pursued and resurfaced ÔÇôif not otherwise then because of the strong modernistic tradition is constantly trying to marginalize it. If we ignore the other from our society, we lose the possibility to choose ÔÇôchoose the alternative of cohabiting the world with the other, learn from the other, in respectful, caring, communicating way without the need for domination, whatever this other may be in the given space and time. I have been filming my hermit father for this experimental film project since 2017. The final film is a mix of documentary and fiction/fantasy.

In 2016 I was working in a grocery store and decided to make some art inspired by that place: A photographic artist magazine and a board with ATM Receipts framing shopping lists that I found from that place. Here’s some photos of those works. Published 2016.

I printed all the Trump news from Helsingin Sanomat web page onto a toilet paper the day after the US presidential election in 2016. There were 30+ articles one after another analyzing the same subject, nothing else.

Name of the work: digi waste
Medium: Electroacoustic piece + poem
Duration: 2:57


This is open system
 
Net works
= Networks
 
SOMEONE
in the cobalt holes of Congo,
in the lithium triangle
 
HEAT
in the server hall
 
CORROSION
In the battery